夏季艺术BIPOC驻留

一奎(Coy)顾
yukuigu@yahoo.com
6月26日至7月21日

顾义奎，1983年生于南通, 七岁时移居美国, 我在奥尔巴尼长大, NY. He has a BFA from Long Island University and an MFA from the Pennsylvania Academy of the Fine 艺术. He has exhibited his work nationally in New York, Miami, Philadelphia, Washington, D.C.波士顿和圣. 路易; and internationally in London, Berlin, and Siena, Italy. 他一直是视觉艺术学院的驻校艺术家, 并在泰勒艺术学院讲学, 葛底斯堡学院, 和Fontbonne大学. 他在《皇冠体育app》杂志上发表过评论, 华盛顿邮报, KunstForum国际, 费城问询报, 丹佛艺术评论, 和耶鲁每日新闻. His work has appeared on the cover of the Lower East Side Review, and in Fresh Paint and Art Maze. 他的作品被锡耶纳艺术学院永久收藏, 惠顿学院, 卡姆登县学院, 以及众多私人收藏. He resides in Philadelphia and teaches as Associate Professor of Art at the College of Southern Maryland. 他的大部分时间都花在工作室里, 他目前在哪里策划接管国际艺术界, 虽然基本上是无害的.

项目建议书: To produce a series of portraits of BIPOC subjects from the Alfred University and local community using smart devices of their own as the surface. These devices can be older models, no longer used, and ideally with cracked or damaged surfaces. The wear and tear of their devices would echo the lived experiences of my subjects, 并成为完成的肖像/对象的一个组成部分.

萝拉·阿伊莎·小原
leaux@lolaogbara.com
7月2-22

小原绫沙(b. 1991)是来自伊利诺伊州芝加哥的艺术家、策展人和作家. Her practice explores the multifaceted implications and ramifications of being in regards to the Black experience. Ogbara works with clay as a material in order to emphasize a necessary fragility which symbolizes an essential contradiction implicit in empowerments. Sculpture, sound, and installation art is the praxis of Ogbara's interdisciplinary practice. She holds a BA from Columbia College Chicago and an MFA from Washington University in St. 路易. 小原在全国各地的艺术空间展出，包括the Luminary, 海德公园艺术中心, 明迪·所罗门画廊, 以及Kavi Gupta画廊. 她还获得了许多奖学金和奖项, including the Multicultural Fellowship sponsored by the NCECA 52nd Annual Conference, 艺术+公共生活和种族研究中心, 政治 & 芝加哥大学文化驻留, 芝加哥艺术家联盟颁发的科尼家庭基金奖, 以及芝加哥DCASE尊敬艺术家奖. Ogbara目前在伊利诺斯州的芝加哥工作.

项目建议书: Throughout the course of Alfred University's BIPOC Artist-in-Residence program, I plan to engage the campus' large indoor ceramic kiln facilities to create a body of work incorporating large scale ceramic sculpture with the projection of sound and/or lithographic printing in mind. 特别是, 我打算扩展《新皇冠体育最新版本》, 正在进行的跨学科的历史研究, 民间传说, 互联性, matrilineage and the compulsion of haptic memory and embodied knowledge in clay practices.

Tatiana Florival / tatianaflorival.com / 5月16日- 6月12日

Tatiana Florival是纽约的艺术家兼电影制作人. She graduated with a BFA in Painting from the Rhode Island School of 设计 in 2018. 她的作品曾在布鲁克林的Kunstraum画廊等画廊展出, NY, 以及普罗维登斯的伍兹-格里画廊, RI. She has also screened her work in theaters such as the Bijou Theater in New Haven, CT.
Her work aims to investigate and at times propose explanations for natural phenomena, 比如死亡, 起源, 以及精神和身体之间的联系. 她对观察很感兴趣, 模仿, 以及对这些自然模式的解释, 并将这些观察结果转化为想象中的风景, 字符, 和故事.

克莱尔·胡/ clarehu.网 / 5月16日- 6月5日

编织纺织品的触觉跳跃出错了, 由手控制的图像扭曲, 还有捉迷藏的游戏, 告知编织的使用, 修补图像和装置, 检查错误的历史和对南方的看法. 通过使用慢速船, Clare Hu dissects how Southern myths are acted and re-enacted in the stories and objects surrounding them, 特别是, 留下的各种残骸.
Hu completed her BFA with a focus in Fiber and Material Studies at the School of the Art Institute of Chicago (SAIC), and has received additional training in textiles from the Gerrit Rietveld Academie in the Netherlands. 克莱尔已在芝加哥广泛展出, 我在国家美术馆, 画廊无人, Dfbrl8r, 及苏利文画廊, 最近在布鲁克林的纺织艺术中心展出, 纽约和哥伦布的梦想诊所项目空间, OH. She is a recent Hambidge Center fellow, and a past resident at the Textile 艺术 Center in Brooklyn.

阿德里安·阿奎莱拉/ adrianaguilera.com / 7月18日- 8月7日

出生于墨西哥工业之都蒙特雷. 阿奎莱拉年轻时移民到美国.S. 他在2000年代末定居在德克萨斯州的奥斯汀. He received his BFA (2004) from The Autonomous University of Nuevo León, México. 与包括雕塑在内的各种媒介合作, 基于文本的工作, 印刷媒体, 视频公共艺术, 和安装, 他研究存在于物体中的内在本质. 对科学观察有兴趣, 文化历史, 还有社会问题, Aguilera's work aboard our relationship with the physical and cultural spaces in which we (co)exist. 他曾在菲尔布鲁克博物馆举办国内和国际展览, 当代奥斯汀, Artpace圣安东尼奥, 保险丝盒节, 德克萨斯大学的布兰顿艺术博物馆, 乔治·华盛顿·卡弗博物馆, 以及巴黎的msamxico文化研究所, 法国. In addition to his practice he is an active member of the Austin-based contemporary arts collaborative Black Mountain Project. 他目前生活和工作在德克萨斯州的奥斯汀.

雅各布·雷耶斯/ @jacoubreyes / 7月27日- 8月10日

我是佛罗里达州奥兰多市的版画家和装置艺术家. 在我目前的工作中, I find and make materials and tools as part of an experimental aspect in my process. I salvage and transform found wood as a reflection of how marginalized and oppressed communities have been cast aside throughout history. 与这些, I carve detailed large-scale allegorical woodcuts based on the acculturation of the Caribbean and the world at large. 从被遗忘的建筑侧面到互动的手工结构, 我的装置作品包含了录音, 打印, 以及将个人历史与全球变迁融合在一起的视频元素. 通过这种方法, I can prioritize bridging the gap that connects our present and past with the hope of preventing historic recurrences. My work, built from found objects, holds and preserves history that viewers can experience firsthand.

Up to $2,500 sliding grants will be provided to cover travel, meals, or supplies.

• 两周1500美元的资助
• 3周$2,000
• 4周$2,500

住房:免费, furnished 1-bedroom campus housing with access to full kitchen and laundry facilities.

工作室空间位于主街的科恩艺术中心内, 可在1层(2900平方英尺)或2层(3300平方英尺)选择.

There will be opportunity to exhibit or present in one of the galleries or performance spaces at Alfred University following the residency.

我们现在接受申请，截止日期为2024年2月1日. 所有艺术家将在2024年4月5日前收到申请决定通知.

请提交一个PDF文件, 由CV组成, 作品集(最多20张幻灯片), and letter of interest (max 2 pages) detailing: 1) project proposal during the residency program, 2)个人/艺术家陈述, 3)联系方式.

应用在这里

艺术家可以选择参加一个全额资助的1天, 驻留期间为期1周或2周的暑期艺术工作坊. 有关这些研讨会的更多信息，请访问 暑期艺术工作坊网站.

所有艺术家都必须全面接种COVID-19疫苗. Fully vaccinated is defined as having received their final dose of the vaccine two weeks prior to the event date. Representatives must show proof of vaccination in order to enter any building on campus. 所有客人必须遵守大学的安全协议.

Selected artists may be required to take headshots for a temporary University ID card.